Saturday, April 27, 2019

RADICAL FEMINIST PAGE ATTACK HILLARY CLINTON DURING ELECTION



When the radical right takes over radical feminism you get this and you know they don’t give a fuck about women or our rights. The Radical Feminist’s Facebook page We Demand Sex Segregated Safe Spaces (Link: https://www.facebook.com/We-demand-sex-segregated-safe-womens-spaces-1415911515364716/) attacked Hillary Clinton over and over and over again in the vilest ways calling her a rapist basically and a moron while supporting a real live rapist and a moron in Trump. They basically endorsed him during the 2016 election, trying to get women to vote against their basic human rights and reproductive rights. They used Right Wing and Russian propaganda trying to make women believe that if they voted for Hillary that they were voting for some form of evil that would murder us all. This is a male tactic and not surprising one of the main administrative of this Facebook page is a man named Nicky C. These idiots have their Pussy Grabber in Chief now, so they must be so proud.  Nicky C and other administrators of this radical feminist page are members of WOLF (Women’s Liberation Front) and Gender Identity Watch. 

They also excuse their behavior with lying of course, it’s not really us that is doing this, it’s a rough administrator but of course they won't kick him off of the page or remove his nasty posts. 


Nicky C. runs both We Demand Sex Segregated Safe Spaces and Nicky's World. 


FALL TREES AT FRED MEYERS PARKING LOT


Fall trees and bushes in the Fred Meyers parking lot in Klamath Falls, Oregon in late October 2017.

THE WEEPING WILLOW OUT MY WINDOW


View out my window in early October (2017) in Tulelake, California.

A RED AUTUMN TREE (Fall 2017)


A red autumn  tree in Tulelake, California at the community center with beautiful red and green leaves.



FALL TREES IN PARKING LOT (PHOTOGRAPHS 1-2)


Fall trees in Fred Meyers Parking lot a few years back.



TREE THAT LOOKS ANCIENT


This beautiful unique tree sets in a corner of a Tulelake, California yard. It looks like an ancient tree that you would find in an old forest. Video taken fall 2017.

STRANGE LITTLE TREE


 I have always loved this little tree; it sets in a corner of a yard in Tulelake, California. It’s beautiful all year around but in the fall it just seems more beautiful. Video taken fall 2017.

GOLDEN FALL TREE 2 (FALL 2017)


A golden fall tree in Tulelake, California.

GOLDEN FALL TREE 1 (FALL 2017)


A golden fall tree in Tulelake, California.



FALL LEAVES IN GOLD AND GREEN (FALL 2017)


Fall trees starting to turn colors in Tulelake,  California.



MY FAVORITE ARTISTS: CLAUDE LORRAIN (1600-1682)


The artist Claude Lorrain of 1600 France is one of my favorite artists; he was a painter, draughtsman and etcher of the Baroque era. Lorrain’s paintings were of landscapes, showing the beauty of nature and light and of architecture putting his own fantasy twist in his work. He played with recreating sunlight in his paintings, expressing its golden warmth and the beauty of sunrises and sunsets. He captioned natural settings, mixing some fantasy, creating a peaceful scene that you wish you could walk into. He broke from the norms of religious symbolism at the time and focused on landscapes, architecture and nature instead, while mixing in some fantasy and mysticism in his artworks.   

Lorrain’s paintings have a light and warmth that are incredible and uplifting, and celebrating nature.

Here are three images of his paintings I love:

Morning In The Harbor by Claude Lorrain 

Seaport At Sunset by Claude Lorrain 

Shepard by Claude Lorrain 

More information on the artist. 






Information on the Artist Claude Lorrain and Images From: https://arthive.com/artists/1223~Claude_Lorrain

POE AND DICKINSON: THE POETS



The poets Edgar Allan Poe and Emily Dickinson had many similarities in their lives, both were born in the state of Massachusetts, both were very interested in history and literature, and both had early losses in their lives that haunted them throughout their lifetimes, and both dealt with their tragedies in destructive ways. Poe used alcohol and various drugs, committing a slow suicide over time, dying early at the age of forty. Dickinson used emotional and physical isolation, choosing to close herself in loneliness, fearing love and friendship because of its potential loss. Both Poe and Dickinson created beauty with their poetry, putting images and pictures in the reader’s mind, of nature and romance, capturing these emotions. But it is their darker side that they are most similar, the side of their writing that deals with sorrow, loss, terror, and the final step death. They conveyed a Gothic writing style that could pull the reader into their nightmares.

Edgar Allan Poe was born in Boston, Massachusetts in 1809 and was raised both in England and America; he was a writer of short stories, prose, and poetry, inspiring the horror and detective genre. He wrote both in light and graceful and in dark and macabre, being able to put beautiful and inspiring love poems down on paper like “Helen“, while being able to scare and disturb the reader with tales and prose of torturous death and the fear of the unknown like “The Premature Burial“. Poe’s focus on death seems to be the fear of not knowing its true nature, when and how it will happen, and are we really dead when they put us in the coffin and then the darkness of our grave. He also questions what happens to our souls when death comes, is there a Heaven and Hell, do we reincarnate, or do we stay with our body and suffer through the aftermath of decay. This picture is made clear in the poem The Conqueror Worm: Out-out are the lights-out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man”, And its hero the Conqueror Worm “ (Edgar Allan Poe). 




In “The Conqueror Worm”, Poe is putting us in the grave literally and its reality. Where our bodies are being consumed by nature, a natural, but disturbing process that most of us do not want to think about or talk about. The old saying “Ashes to Ashes, Dust to Dust”, is how a so called polite society views it, without facing the real picture, which is a scientific reality but too disturbing for most. Poe’s focus is the fear that we must endure and witness this consumption of our flesh. That the numbness of death is just a perceived condition, and that we are aware of everything that is happening in the grave and in its darkness, when the body is decaying and returning to earth. That the soul is trapped until this process is done, seeing and feeling it all, experiencing its tortures. This picture is very terrifying because it has happened throughout history, people in the past have been buried alive, and many cultures in the world go through different ceremonies to prevent the soul’s entrapment in the body after death. This is a very real universal human fear that Poe puts to paper, making us face it upfront without covering it up with societal niceties.

Emily Dickinson was born in Amherst, Massachusetts in 1830; almost all her poetry was published and read after her death, only having less than a dozen poems published while she was alive. She wrote poems of love and beauty and of morbidity and death. Dickinson’s view of the world seemed to be shadowed by the fear of loss and the feeling that judgment and death was following her, stalking her all her life; that they were underneath the surface of everything. This made her pick isolation, fearing judgment from others and the unknown more than the loneliness of her choosing. This showed strongly in her writings, in “Much Madness is Divinest Sense”, she is questioning what insanity is, and how it is judged and measured in society. What is normal? Dickinson also had a happier lighter side that showed beauty and love, in her poem “Wild Nights -Wild Nights!” she even shows a bit of playfulness. But death was her ongoing friend or foe, whichever way you look at it, who she believed was with her always. In “Because I Could Not Stop for Death”, Dickinson writes of death meeting her for the eternal road trip. Because I could not stop for Death -He kindly stopped for me-The Carriage held but just Ourselves-And Immortality” (Emily Dickinson).


This road trip in “Because I Could Not Stop for Death” that Dickinson envisioned is like many of her poems, it was both her dream and nightmare, at times she seemed to have almost suicidal tendencies, welcoming the final trip, and at other times she feared the prospects of death, wanting it to just go away. Dickinson is speaking here of being taken away from the physical world, by an appointment that none of us can ignore, it is predetermined, it is destiny. Death (capitalized to show it as a being), comes on its own terms and plan, we must go with it. She also writes of the vulnerability that one would feel in front of a being so strong and powerful as Death, and so ancient, “The Dews drew quivering and chill- For only Gossamer, my Gown- My Tippet - only Tulle-” (Emily Dickinson), the feeling of being totally exposed spiritually, having no secrets. As such a private person as Dickinson was, this prospective of total openness must have been terrifying; she had been so closed to most human contact, especially the older she got. But she also seems to welcome it completely at the end of the poem, “Since then - ‘tis Centuries - and yet Feels shorter than the Day I first surmised the Horses’ Heads Were toward Eternity-” (Emily Dickinson), speaking of Death as the final relief, where time is stopped, and worries are no more.

Edgar Allan Poe and Emily Dickinson both had tortured souls, still possessing beauty and kindness, and deepness in thought. They both were not only writers, but philosophers in their own ways, having spiritual sides that were hard to understand, even by them themselves. In their writings they ask many questions about what lies behind the final curtain “Death” that we all ask at some point in our lives, young or old, male or female. Is it a Heaven or a Hell? Do we come back for other lifetimes, recycled by a spiritual force? Or is there just darkness and nothingness? These questions will be answered for all of us at the end of our lives, and like Poe and Dickinson we must wait for the answer. Both Poe and Dickinson now know what lies behind the final curtains, hopefully they found peace.



MY BOOK REVIEW: SIDDHARTHA BY HERMANN HESSE


This book review is based on the book Siddhartha, written by German writer Hermann Hesse in 1922. The book is about a man named Siddhartha in India, trying like the Buddha, to find enlightenment through a spiritual quest.


Hermann Hesse’s main character Siddhartha is following a spiritual path much like Siddhartha Gautama, the Buddha, the founder of Buddhism. Hesse’s Siddhartha finds his life is empty of meaning; things that once made him feel happy and whole no longer do. He knows there is more out there than just the physical, which is now empty in his eyes. He what’s to find spiritual enlightenment; to shed the bonds of the physical world. To reach a point that he no longer needs attachment in the world to exist, to be apart from it. Hermann Hesse’s Siddhartha is a son of a Brahmin. He has a life that most would envy. He has loving parents, good friends (especially Govinda, who idolizes him), health and wealth. But he still feels that something is missing in his life and the world around him. He has a restless soul and his dreams are haunting him, pushing him to look beyond his comfortable life and to seek what is amiss. So Siddhartha gets his father’s blessing, which is not an easy task, and begins his long journey. Govinda joins him in this journey both becoming Samanas, ascetics who are a group that follow deep meditation and severe discipline as their practices. Siddhartha gives up all things of his former life, giving away his clothes, shelter and eating one meal a day, when not fasting. From all this he decides that, “Life is pain” (Siddhartha, Hermann Hesse page 14). In their travels they come upon, the Holy One, the Buddha. Listening to his teachings Govinda decides he wants to become a monk. But Siddhartha believes even that the Buddha, himself does not have the answers he seeks. Saying to the Buddha, “You have learned nothing through teachings, and so I think, O Illustrious One, that nobody finds salvation through teachings” (Siddhartha, Hermann Hesse page 34).

Siddhartha went on his path alone, still seeking the truth. He was no longer a boy, but a man. He no longer needed teachers or lessons; the quest was his teacher and all that was needed all that mattered. But throughout the story Siddhartha has many teachers from the ordinary people he comes in contact with. Like the ferryman who spoke of the river “I love it above everything. I often listened to it, gazed at it, and I have always learned something from it. One can learn much from a river” (Siddhartha, Hermann Hesse page 49). Siddhartha’s eyes and being were now open to everything; learning was experiencing and listening. Learning new things in every turn and twist of his journey; but he knew it had always been there in the first place. “All this, colored and in a thousand different forms, had always been there” (Siddhartha, Hermann Hesse page 46).




Years passed and Siddhartha now again lived in the world, but still felt like he was not truly a part of it. He still thought like a Samana, though he was back in the world of the ordinary, a world of attachment. He had a home now, with a garden he could walk in, like in his youth. He had wealth. Kamala the courtesan had taught him about love. But he still wasn’t happy. He was tired of this life he had made for himself, he felt so entangled in Samsara, the world of attachment. Siddhartha felt suicidal, he wished for death to come. He had to escape back to the simple life of non-attachment again. So he wonders to the river and falls asleep under a cocoanut tree, to the sound of OM, the universal sound. When he awakes he feels like he is a whole new person (born again), not feeling like himself at all. And he finds his good friend Govinda, who in his monkly robes, is watching over him. At first Govinda does not recognize him, but is truly happy to find out his old friend Siddhartha is in front of him. They talk, and then part again, like before. Alone again Siddhartha feels anew, he had learned that to find what you are seeking, sometimes, means going backwards. He feels regret for all he has wasted in such spiritual sacrifices and self-torture and not gaining anything for it. He makes a promise to himself to never go back to that misery. Siddhartha was no longer unhappily seeking. Somehow he had been awaken to the truth. Siddhartha comes upon the ferryman Vasudeva again, who takes him in and listens to his story. Vasudeva believed the river would teach Siddhartha everything he needed. He learned to be a ferryman and also he learned from the river, “that there was no such thing as time” (Siddhartha, Hermann Hesse page 106), that it spoke in many voices and was wise in its teachings. Time passed for both Siddhartha and Vasudeva, but life was happy and full.

One day the news came that the Buddha was on his deathbed, which saddened Siddhartha. Many followers of the Buddha were making their way to say good-bye to the Holy One. Kamala the courtesan, who had once taught him in the ways of love, was now a follower of the Buddha, and was among the others with her son, little Siddhartha. The boy was spoiled and did not like to be on this trip. Kamala somehow gets bit by a black snake. Siddhartha comes to her aid, and recognizes that the boy is his son, and Kamala tells him this is true. Kamala dies of the snake’s bite. Siddhartha now has to raise this eleven-year-old child he does not know. Little Siddhartha is spoiled and is use to the lifestyle of the rich. He hates his new life and he hates Siddhartha. This cannot be overcome in a little while, Siddhartha knows, and remains patient. But as the days go by little Siddhartha, gives him more sorrow. Vasudeva, the ferryman, tells him that his son will never be happy living as a ferryman’s son, away from the riches he is used to. He needs to go home to his mother’s home and the servants, the lifestyle he is used to. But Siddhartha does not want to see it. He had never really loved anyone like he loved little Siddhartha, who he could not bear to set free. So his son kept hurting him every day, showing no love back. Finally one day the son runs away, Siddhartha hunts for him but does not find him.


The pain of his son leaving remained with Siddhartha for a very long time. When he seen others with children, he envied them for their happiness. But he also seen that everyone on earth has a purpose, and the world of attachment was as real and important as anything that he had wanted to find. He also realized that he had put his father through the same thing when he had left home in his youth that his father probably missed him and worried about him, just like he was doing over little Siddhartha. Siddhartha had found the thing he had seeked, the meaning to life and this world, though it wasn’t the same thing that he had always wanted, detachment. And he didn’t find it through torturing himself with extremes, but with loving someone and seeing life as something that is needed for learning. He shares this new truth with his old friend Govinda, who he is reunited with for a little while at the end of the story. Govinda believed that his old from Siddhartha, had become wise like the Buddha, and had entered Nirvana.


The author of Siddhartha, Hermann Hesse, was born in the town of Calw, Wurttemberg, Germany. His parents Marie Gundert-Hesse and Johannes Hesse were both Christian missionaries in India at the Basel Mission. Herman Hesse started studying at the Evangelical Theological Seminary back in Germany, but had a rebellious side and left the school before finishing.

Throughout his life he dealt with bipolar depression, attempted suicide and was institutionalized in a mental hospital. He took on a few career changes along the way and became a writer. He married Maria Bernoulli in 1904, which later was diagnosis with schizophrenia, which destroyed their marriage. He had three sons with Maria, one son was sick with a difficult illness. Hesse spoke out against the Nazis and he was deeply interested in Eastern philosophy.


The fictional Siddhartha in Hesse’s story is having a spiritual quest like the real Siddhartha Gautama, the founder of the religion of Buddhism, who is also mentioned in his story. Siddhartha Gautama, the Buddha, was born around 566 B.C.E., in Lumbini, in part of the area, which we now call Nepal. He was born to a very wealthy family, who were afraid of losing him because of a prediction, so they protected him from the outside world and its many sorrows. One day he sneaks out of his safe place, into the outside world. “He sees four sights: a sick man, a poor man, a beggar and a corpse” (Story of Buddha). His eyes are opened, and his whole being is filled with an awesome sorrow for the suffering in the world. He leaves his wife, his family and his wealth, to dedicate his life to humanity and ending suffering. He goes though many spiritual quests, much like Hesse’s Siddhartha, until he finds truth in what Buddhists call the “Middle Way”, which teaches to not go to extremes in either way.

There are different forms of Buddhism, with different views on what the Buddha really taught but they all follow two important teachings: 

“The Four Noble Truths:

That suffering is an inherent part of existence
That suffering is caused by attachment (craving)
That craving can be ceased
That following the Eightfold Path will lead to the cessation of craving and suffering”

and

“The Eightfold Path:

Right Understanding
Right Thought
Right Speech
Right Action
Right Livelihood
Right Effort
Right Mindfulness
Right Concentration”


Buddhism has ties to Hinduism, whose followers believe the Buddha a god or avatar. In Islam some Muslims believe that Siddhartha Gautama may be the same person in the Koran that is called Dhul-Kifl, and may be a prophet. “Dhul-Kifl means "the man from Kifi” which means Kapilavastu, an area where the Buddha spent thirty years of his life"(Wikipedia). Many Jews, because of the fact you do not have to convert or let go of Judaism, have also adopted the teachings and meditation of Buddhism.“Jews who follow Buddhist customs are called BuJew” (Wikipedia).

I would say Siddhartha is a very good book. It speaks of the human experience we all go through in life, whether it is career, education, or spirituality. You get to a point of your life’s quest or journey, whatever it may be, and you feel it’s the wrong path or is not enough and you want a change, you want more. To shed the old skin for a new one, to be (born again), you could say. To try something new, to follow another bliss, (though the whole torturing one’s self is a bit extreme), and sometimes the searching takes you right back to the same place you started from.





GRANDMOTHER'S PEONIES (PHOTOGRAPHS 1-4)


This photograph is of my grandmother's peony in my yard after a rain storm.


These two peonies looked like a couple standing together.


Peonies budding. 



A POPPY (PHOTOGRAPH 1-4)


A red poppy in the summer sun in Northern California in July. 


These two photographs were taken out of focus to bring out the red in the flower.


In focus the poppy is still beautiful.


WEIRD TREE


This tree is in Moore Park in Klamath Falls, Oregon. It’s kind of weird.



A RED ROSE


A beautiful red rose at the fairgrounds in Tulelake, California.



A PINK AND YELLOW ROSE


A beautiful pink and yellow rose at the fairgrounds in Tulelake, California.



INSIDE A PINK ROSE


A beautiful pink rose at the fairgrounds in Tulelake, California. I took a very close photograph to capture its beauty.



Burning Times and Church of Madness by Inkubus Sukkubus

I love these songs. Dogmatic patriarchal religions have caused so much destruction and death over the centuries, you would think we would l...